{"id":14711,"date":"2013-03-31T09:35:00","date_gmt":"2013-03-31T07:35:00","guid":{"rendered":"http:\/\/tomonishintaku.com\/blog\/books\/inadequate-girl"},"modified":"2022-03-07T15:08:13","modified_gmt":"2022-03-07T14:08:13","slug":"inadequate-girl","status":"publish","type":"books","link":"https:\/\/tomonishintaku.com\/blog\/books\/inadequate-girl","title":{"rendered":"\u5c11\u5973\u4e0d\u5341\u5206"},"content":{"rendered":"<section>\n<p>\u65e5\u672c\u4eba\u306b\u3068\u3063\u3066\u5f53\u305f\u308a\u524d\u306e\u8003\u3048\u3082\u3001\u3042\u3089\u305f\u3081\u3066\u5916\u56fd\u306e\u4eba\u306e\u773c\u3092\u901a\u3059\u3068\u3001\u306a\u308b\u307b\u3069\u306a\u3068\u3001\u6d6e\u304b\u3073\u4e0a\u304c\u3063\u3066\u304f\u308b\u3082\u306e\u304c\u3042\u308b\u3002\n    <\/p>\n<p>\u305f\u3060\u751f\u304d\u3066\u3044\u308b\u3060\u3051\u3067\u306f\u5024\u6253\u3061\u304c\u306a\u3044\u3068\u3044\u3046\u3001\u300c\u751f\u304d\u3066\u3044\u308b\u7532\u6590\u300d\u306a\u3093\u3066\u767a\u60f3\u306f\u3001\u3088\u304f\u8003\u3048\u308c\u3070\u65b0\u3057\u3044\u3088\u306a\u3042\u3001\u3068\u3002\n<\/p>\n<\/section>\n<section>\n<blockquote><p>One of the most common sayings in Japan is \u201cHara hachi bu,\u201d which is repeated before or after eating and means something like \u201cFill your belly to 80 percent.\u201d Ancient wisdom advises against eating until we are full. This is why Okinawans stop eating when they feel their stomachs reach 80 percent of their capacity, rather than overeating and wearing.<br \/>(\u610f\u8a33: \u65e5\u672c\u306e\u6700\u3082\u4e00\u822c\u7684\u306a\u3053\u3068\u308f\u3056\u306e\u3072\u3068\u3064\u306f\u3001\u98df\u4e8b\u306e\u524d\u5f8c\u306b\u3088\u304f\u8a00\u308f\u308c\u308b\u300c\u98df\u3079\u308b\u306e\u306f\u8179\u306e80\u30d1\u30fc\u30bb\u30f3\u30c8\u307e\u3067\u300d\u3068\u3044\u3046\u3053\u3068\u3092\u610f\u5473\u3059\u308b\u300c\u8179\u516b\u5206\u300d\u3067\u3059\u3002 \u79c1\u305f\u3061\u304c\u8179\u304c\u3044\u3063\u3071\u3044\u306b\u306a\u308b\u307e\u3067\u98df\u3079\u306a\u3044\u3088\u3046\u306b\u3068\u3044\u3046\u6614\u304b\u3089\u306e\u77e5\u6075\u3067\u3059\u3002\u3053\u308c\u3053\u305d\u6c96\u7e04\u306e\u4eba\u3005\u304c\u3001\u98df\u3079\u904e\u304e\u308b\u3053\u3068\u306a\u304f\u3001\u80c3\u888b\u306e8\u5272\u304c\u305f\u306b\u9054\u3057\u305f\u3068\u3053\u308d\u3067\u98df\u3079\u308b\u306e\u3092\u3084\u3081\u308b\u7406\u7531\u3067\u3059\u3002)\n    <\/p><\/blockquote>\n<\/section>\n<section>\n<blockquote><p>The Characters Behind Ikigai In Japanese, ikigai is written as \u751f\u304d\u7532\u6590, combining \u751f\u304d, which means \u201clife,\u201d with \u7532\u6590, which means \u201cto be worthwhile.\u201d \u7532\u6590 can be broken down into the characters \u7532, which means \u201carmor,\u201d \u201cnumber one,\u201d and \u201cto be the first\u201d (to head into battle, taking initiative as a leader), and \u6590, which means \u201cbeautiful\u201d or \u201celegant.\u201d<br \/>\n(\u610f\u8a33: \u65e5\u672c\u8a9e\u306b\u304a\u3051\u308b\u300c\u751f\u304d\u7532\u6590\u300d\u3068\u3044\u3046\u6f22\u5b57\u306f\u3001\u300c\u751f\u304d\u300d\u306f\u300c\u4eba\u751f\u300d\u3092\u3001\u300c\u7532\u6590\u300d\u306f\u300c\u4fa1\u5024\u304c\u3042\u308b\u300d\u3068\u3044\u3046\u3053\u3068\u3092\u610f\u5473\u3057\u307e\u3059\u3002 \u300c\u7532\u300d\u306f\u300c\u93a7\u300d\u3084\u300c\u30ca\u30f3\u30d0\u30fc\u30ef\u30f3\u300d\u3001\u300c\u6700\u521d\u306e\u3082\u306e\u300d\u3092\u610f\u5473\u3057\u3001\u300c\u6590\u300d\u306f\u300c\u7f8e\u3057\u3055\u300d\u3084\u300c\u30a8\u30ec\u30ac\u30f3\u30c8\u300d\u3092\u610f\u5473\u3057\u307e\u3059\u3002)\n    <\/p><\/blockquote>\n<\/section>\n<section>\n<blockquote><p>Mitsuo Aida was one of the most important calligraphers and haikuists of the twentieth century. He is yet another example of a Japanese person who dedicated his life to a very specific ikigai: communicating emotions with seventeen-syllable poems, using a shodo calligraphy brush.<br \/>\n(\u610f\u8a33: \u76f8\u7530\u307f\u3064\u3092\u306f\u300120\u4e16\u7d00\u306e\u6700\u3082\u91cd\u8981\u306a\u66f8\u9053\u5bb6\u3067\u3042\u308a\u6b4c\u4eba\u306e\u4e00\u4eba\u3067\u3057\u305f\u3002 \u5f7c\u306f\u81ea\u5206\u306e\u4eba\u751f\u3092\u975e\u5e38\u306b\u5177\u4f53\u7684\u306a\u751f\u304d\u7532\u6590\u306b\u6367\u3052\u3066\u3044\u308b\u65e5\u672c\u4eba\u306e\u4f8b\u3067\u3059\u3002\u5f7c\u306f117\u97f3\u7bc0\u306e\u8a69\u6b4c\u3092\u3001\u66f8\u3067\u8868\u73fe\u3057\u307e\u3057\u305f\u3002)\n    <\/p><\/blockquote>\n<\/section>\n","protected":false},"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14711","books","type-books","status-publish","hentry","category-essay","tag-migrated-from-shintaku-co"],"acf":[],"_links":{"self":[{"href":"https:\/\/tomonishintaku.com\/blog\/wp-json\/wp\/v2\/books\/14711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomonishintaku.com\/blog\/wp-json\/wp\/v2\/books"}],"about":[{"href":"https:\/\/tomonishintaku.com\/blog\/wp-json\/wp\/v2\/types\/books"}],"replies":[{"embeddable":true,"href":"https:\/\/tomonishintaku.com\/blog\/wp-json\/wp\/v2\/comments?post=14711"}],"version-history":[{"count":1,"href":"https:\/\/tomonishintaku.com\/blog\/wp-json\/wp\/v2\/books\/14711\/revisions"}],"predecessor-version":[{"id":17537,"href":"https:\/\/tomonishintaku.com\/blog\/wp-json\/wp\/v2\/books\/14711\/revisions\/17537"}],"wp:attachment":[{"href":"https:\/\/tomonishintaku.com\/blog\/wp-json\/wp\/v2\/media?parent=14711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}